便便丸在肠胃道的生活

born in 1963

i started my musical activities being the bass player with a belgian trash indus band called noise gate, which released 3 lp/cd and made tens of concerts across europe between 1988 and 1993. After that experience, my interest for sound took a more experimental and electronic character.
currently: using akai sampler, g4 with protools, powerbook, miscellaneous softwares and microphones, minidisc
part in martiensgohome (http://www.constantvzw.com/mgh), a two members collective realizing for almost ten years a weekly radio program of improvised electronic soundscapes and that has made numerous concerts, installations or performances, alone or collaborating with choregraphers and dancers (Frédéric Flament, Erna Omarsdottir, Riina saastamoinen…), plastic artists (Didier Leemans, Catherine Evrard…), movie makers…

my work is based on digital material and processed location recordings. numerous performances, solo, with martiensgohome (listing on http://www.aeki.be/past.htm) or other musicians (concerts, radio improvisations or workshops with between others Francisco Lopez, John Butcher, Steve Gibbs,…)

works released on staalplaat, hushush, sub rosa, throat, n&b research digest and several internet labels (techNOH, notype, earlabs)
sound for the short films Whoosh, Portal, Building, Me + and the Game of Mobile Forces project by Anouk De Clercq, sound for Empty Box by Isabelle Vander Donckt and Deux by Yves Cantraine

grey area/zoning, a long term project with martiensgohome, Arnaud Jacobs and Johan Vandermaelen; its subject is this suburban zones of industrial, commercial or residential development, the actual action of land-use planning, and the attribution on a portion of territory of one and only one function.

at a time when standard ideas about what music should be have collapsed, technology allows our noise environment to become an area for musical practice.
the modern acoustic environment is often considered in our culture as a form of pollution. it is mainly made of machines and devices; this situation breaks with centuries when men knew only the sounds of nature. adopting the standpoint according to which these artificial noises are valuable, my work is based on our everyday-life sound environment considered as an abstract material. working with the idea that sound texture is the base of the musical piece, i use sampling and field recordings to create and superimpose variously abstract layers.

http://www.aeki.be 提供音频下载

！suaracitra fragment of a sound installation

2：phrom phong bts

3：sound for Anouk Declercq and Joris Cool short film here
　

4：anak school and trains - brussels


5：sutuk suburbs of liege


6：eiz recording made near the heating system of a public library, slightly edited - brussels


7：building sound for Anouk Declercq and Joris Cool film "building" [fragment]


8：14k fury [fragment] - headphone concert for placard #6


9：portal installation by Anouk Declercq, Joris Cool and Anton Aeki [fragment]



selamat datang
''''2002


　

出生于1963年

最初开始音乐活动，是在一支叫噪音门（noise gate）的废物工噪乐队里担任贝司手，在1988年到1993年间，他们发表了3张专辑，在欧洲各地进行了成吨的表演。在这样的经历之后，他对声音的兴趣更多转移到了实验和电子的特性上。
目前使用akai采样器、苹果G4和protools软件、苹果powerbook、各种软件和话筒、MD。
是二人组合martiensgohome (http://www.constantvzw.com/mgh)的成员，10年来每周进行即兴电子音景广播节目，许多演出、装置或表演，与编舞和舞蹈家（Frédéric Flament, Erna Omarsdottir, Riina saastamoinen……）、造型艺术家（Didier Leemans, Catherine Evrard……）和电影人合作。
他的作品基于数字素材和实地录音的处理。许多表演、独奏，作为martiensgohome成员（可听：http://www.aeki.be/past.htm）或和其他音乐家合作进行音乐会演出、广播即兴或工作坊（Francisco Lopez, John Butcher, Steve Gibbs……）
作品发表于staalplaat、hushush、sub rosa、throat、n&b research digest以及techNOH、notype、earlabs等网络厂牌。
为Whoosh、Portal、Building、Me +等短片设计声音，以及Anouk De Clercq的Game of Mobile Forces项目、Isabelle Vander Donckt的Empty Box、Yves Cantraine的Deux等设计声音。
正在进行与martiensgohome、Arnaud Jacobs和Johan Vandermaelen合作的grey area/zoning计划，关于工业、商业和住宅发展的郊区，一个关于土地使用的现实行动……
当关于音乐是什么的标准答案瓦解，技术让我们的噪音环境可以变成一个音乐实践的领域。
现代的声音环境通常被我们的文明看作一种污染。它主要由机器和设备制造，这种状况破坏了许多世纪以来，我们仅仅了解的自然声音环境。依照这种人造的噪声具有价值的观念，他的作品基于被当作抽象材料的日常生活声音环境。在声音结构是音乐作品的基础这一观点之下，他使用采样和实地录音来创造和叠加多层的抽象声音。
更多信息和声音文件：http://www.aeki.be
　

转自Sub Jam